Showing posts with label agoraphobia. Show all posts
Showing posts with label agoraphobia. Show all posts

August 22, 2013

Los Últimos Días (2013)



"2013. A mysterious epidemic spreads across the planet. Humanity develops an irrational fear of open spaces that causes instant death. Soon, the world population is trapped inside buildings."

It's taken me almost a week to get through this Spanish sci-fi adventure, but don't let that put you off because it's not a bad one! For a number of reasons in real life including the heat and babysitting someone else's three cats, I just couldn't get into this movie as much as I wanted to.

Having finished it only a few minutes ago, I don't think we have a classic here, but "Los Últimos Días" (which you don't need to be an Einstein to translate as "The Last Days") is another competent apocalyptic fantasy from David and Àlex Pastor. As a similarly themed but totally unrelated follow-up to "Carriers" (2009), the generic plot is, once again, more concerned with separations and reunions than anything too cerebral, although if you like this subgenre as much as I do, you'll be pleased with it overall.

Starring Quim Gutiérrez (yes, that really is his name!) as Marc Delgado, and José Coronado from "The Body" (2012) as Enrique his companion, "Los Últimos Días" is nicely acted but very reminiscent of "The Happening" (2008) at times. With no reason given (but some ecological ones suggested along the way) for why the world's human population has started to drop dead from agoraphobia, our heroes' quest isn't for answers or a cure however, but mainly to reunite Marc with his girlfriend Julia.

Rather than being sci-fi per se, the story is set in the present and plays out as a kind of one-sided ancient Greek novel with various problems for the protagonists to overcome. Despite frequent flashbacks, the focus is on the male-bonding between Marc and Enrique in ways which shamelessly homage "The Edge" (1997) while being completely different in intention. I'm not going to spoil it for you, but one scene and its aftermath is a very recognisable borrowing.

To offset the clichéd sausagefest, female eyecandy is mostly provided by gorgeous Marta Etura from "Sleep Tight" (2011) as Julia. Unfortunately, she has very little screen time compared to the importance of her character. To compensate, the two or three fans of "[REC]³ Génesis" (2012) will be pleased to see Leticia Dolera as Julia's friend Andrea, especially as she briefly gets to kick ass again!

Beards are very popular in Spain.

The rest of the cast is comprised of Spanish TV actors (mostly from soaps and miniseries) which is de rigueur with these Barcelona-based productions. Spain is now as guilty of overusing their limited supply of actors and actresses as much as Australia, but I'm willing to let that slide. I've recently become very biased in favour of Spanish movies due to their consistently beautiful cinematography and solid characterisation which makes everything in modern American movies look cheap, soulless and amateur.

As most of the claustrophic action takes place in tunnels, sewers, and stairwells, the balance between unrealistic sources of light and being too dark to see what's going on is handled perfectly. There's none of the Zippo lighter being able to illuminate a whole room nonsense here, and bless them, our heroes even mention that trope and find an inventive way around it! There's not a great deal of humour, but there's a lot of such wittiness in the dialogue if you're open to it.

The make-up/wardrobe crew are also to be congratulated for making Marc and Enrique look progressively and realistically filthier. That's the thing here though; there's so much realism that the ridiculousness of their situation can almost be forgotten. Further attention to detail in the set dressing certainly helps to make everything more epic, and it's only a couple of CGI-enhanced views of the city outside which ever give away the modest, non-Hollywood budget.

Inevitably, for all of its good points, "Los Últimos Días" is still not without a few lapses in logic and some blatant contrivances, but it's very easy to willingly suspend your disbelief and just enjoy the ride. Thus, I have no problem with recommending "Los Últimos Días" as a rental or even a purchase once it gets an official US release. At the moment, the only version available is an overpriced Blu-ray import, so you may want to wait for a while.


November 12, 2012

Citadel (2012)



"An agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children."

Yes, I know I've been quiet for a couple of days, but I got addicted to "sword and sorcery" movies after my last review and completely lost track of time. I don't really know why I found them appealing so many years after they went out of style although the late Lana Clarkson may have had a lot to do with it.

Somehow, I also watched the notoriously filthy bits of "The Brown Bunny" (2003) just because Chloë Sevigny from "American Horror Story: Asylum" was the one being filthy, and then ended my weekend by having my childhood raped during "The Sweeney" (2012). After seeing Ray Winstone's fat belly and exceedingly large underpants, I decided that I ought to get back to watching real horror again.

Having heard great things about it, I gave "Citadel" a go. All I can say is, "What the hell were other people watching when they wrote their reviews?" For me, "Citadel" was one of the most boring films that I've ever forced myself to sit through.


I don't even have words to describe how generic, formulaic and dull "Citadel" is as a "horror" movie. You can't even call it a horror movie really unless a run-down Irish tower block or tripod-less camerawork gives you nightmares.

I will grudgingly say that the Welsh version of Frodo, Aneurin Barnard, does well in his role as an agoraphobic pussy, but that's about it. James Cosmo's priest character has a lot of potential which is wasted, and the little kids who are supposed to be so scary are just vile.

If you've already seen "Ils" (2006) or even "The Brood" (1979), this hybrid of the worst parts of both won't be any great surprise to you. "Citadel" is only a low-budget, handheld-camera version of the same thing, but without any scares at all. The majority of the story is given away in the trailer and makes about as much sense in that stripped-down version too.

Don't waste your time on this.