Showing posts with label edgar allan poe. Show all posts
Showing posts with label edgar allan poe. Show all posts

August 17, 2015

My Top Ten Black Cats

Although you should appreciate cats every day, August 17th is officially "Black Cat Appreciation Day".

Often associated with bad luck and witchcraft, and portrayed as incarnations of evil, it's obvious that black cats have had some very bad press and a lot of misconceptions about them over the years. Horror movies, particularly, have done nothing to redress the balance.

Bearing in mind that black cats are completely harmless and lovable pets, and that their often sinister depiction in horror movies is purely fiction, here's a quick top ten list of my favourite black cats.


1. Becker from "Blacker Than the Night" (1975).



2. Mar from "The Grudge" (2004).



3. Wellington from "The Uncanny" (1977).



4. Pluto from "Masters of Horror: The Black Cat" (2006).



5. Satan from "Your Vice Is a Locked Room and Only I Have the Key" (1972).



6. Belasco from "The Legend of Hell House" (1973).



7. Satanas from "Dr. Cyclops" (1940).



8. Mittens from "Funeral Home" (1980).



9. Hecuba from "Drag Me to Hell" (2009).



10. Ebony from "The Eye 3" (2005).



Bonus: Mr. Kittles from "Scary Movie 2" (2001).



For even more black cats, please visit: The Horror Cats - a Celebration of Felines in Horror Movies and Television.

The Horror Cats

September 23, 2013

Devoured (2012)



"An intense, troubling film, boasting a spectacular lead performance from Marta Milans, DEVOURED calls to mind such bleak and visceral late '70s NY urban dramas as TAXI DRIVER and DRILLER KILLER in its expert depiction of alienation and escalating horror."

The synopsis from Amazon.co.uk describes "Devoured" so perfectly that there's very little I need to add. That product description absolutely nails it, uses the word "visceral" correctly, and reminds me of the days when I used to write such concise one or two sentence reviews instead of rambling on to fill up a blog post. For someone who doesn't often suffer from nostalgia, I miss those days a lot.

But as I wouldn't be me if I didn't have my own two cents to add, I will just say that I haven't enjoyed any "low-budget" movie as much I did this one. According to the IMDb, the estimated budget was only $1,500,000. That's still a huge amount of money for normal people, but hardly anything in movie industry terms, so maybe that's one of the few points in any independent movie's favour which I'm willing to concede. You don't need hundreds of millions of dollars to make a good movie if you know what you're doing, but the caveat is that you really do need to know what you're doing.

Although this is Greg Olliver's first horror movie, he's been around for a while making award-winning rock documentaries. His IMDb profile page details how he learnt his craft the right way by going to film school and then working his way up in the industry, so he isn't one of the half-arsed hobby horror filmmakers. The result of his knowledge and experience is that he has created an impressively adult "descent into madness" drama here which, despite its obviously Poe-like elements, isn't predictable at all.


Maybe I would have noticed some flaws if I hadn't been so captivated by Marta Milans as the lead, but the attention to detail is such that I doubt there are any important ones anyway. I would like to say that Marta Milans is to "Devoured" what Gretchen Lodge is to "Lovely Molly" (2011), since they both give outstanding performances which carry the rest of their respective movies, but that wouldn't be a completely accurate or fair comparison. It also wouldn't be fair on everyone else involved. Movies are a team effort, after all.

Everything about "Devoured" is as close to perfection as the budget allows. The cinematography is excellent, and from the script by Marc Landau to the smallest acting role, this is a classy, thought-provoking, and thoroughly engaging production. There are some movies which can draw you in as if you're living in them, and "Devoured" is certainly one of them. Whether you would actually want to live inside another person's nightmare is, however, another matter.

For an American movie, "Devoured" has a very European atmosphere and grittiness about it which means that it's bound to be a bigger success overseas, even if it's only for a niche audience. Such slow burns with great characterisation are unlikely to be so highly praised by the teenage slasher crowd who just want to see boobs and blood, and that's a real shame, but stranger things have happened. No matter what your age or tastes, if you call yourself a horror fan, you owe it to yourself to see this movie.

As far as I know, "Devoured" is currently only available from Amazon.co.uk as a DVD or Blu-ray. Hopefully, a US version will start appearing in stores soon. Keep an eye on the official website for further details.


July 6, 2012

The Raven (2012)



"When a madman begins committing horrific murders inspired by Edgar Allan Poe's works, a young Baltimore detective joins forces with Poe to stop him from making his stories a reality."

Even though "The Raven" kept me entertained all the way to the end, this is the same kind of historically inaccurate thing which I've hated ever since "From Hell" (2001). Actually, I think my loathing of movies where the accents aren't right, the speech is too modern for the time, and other anachronisms abound, began with "Robin Hood: Prince of Thieves" (1991), but it's probable that there are even worse examples in existence which I can't remember.

Because life is too short for bad movies, I'm going to keep my review of this awfulness as brief as possible. You already know that "The Raven" could be summed up in one four-letter word, but it wouldn't be very informative if I was to just post that word 72 points high with no explanation.

I'll deal with the good bits first. Unfortunately, they are all copied from better movies. There are at least four scenes in particular which are so close to the far superior "Masters of Horror" episode, "The Black Cat" that I'm surprised nobody filed a lawsuit about it. It's absolutely ridiculous that multi-million dollar movies can keep ripping each other off like this, but woe betide anyone who downloads them for free. Copyright theft is still theft, and if I can see it, so can a judge. I'm amazed at how The Asylum gets away with what they are doing over and over again too, but that's another matter. Ironically, Edgar Allan Poe himself was vehemently against the plagiarism which saturated the newspapers and other journals of his own time.

The gory bits in "The Raven" are, of course, quite superb, but obviously, I've seen all those set pieces done better in other movies as well. Maybe there is some hidden "meta" subtext to this movie about a serial killer using the works of the famous horror writer for inspiration which I missed the point of. For me, this all looked like cheating, laziness, and a demonstration of utter contempt for the audience.

If someone wants to make a historically accurate movie about the life of Edgar Allan Poe, I have nothing against it, but "The Raven" is a great example of how not to do it. It may not be quite as bad as the lack of thought which went into "Abraham Lincoln: Vampire Hunter", except for the slow-motion bullets, but it's certainly up there with the Robert Downey Jr. "Sherlock Holmes" movies. You could swap any of the characters or actors from any of these films and still come up with the same product.


I suppose I ought to say something about the uneven acting. While some of the performers such as Luke Evans (as Detective Fields) and Alice Eve (as Emily Hamilton) actually put some effort in, it's painfully obvious that John Cusack (as Edgar Allan Poe) isn't even trying to play anyone other than himself.

John Cusack is a damned good actor usually and he's always watchable, but clearly, he didn't do much more this time than allow the make-up people to attach a silly little beard to his chin and think that was all the preparation that he needed for the part. Okay, so that may not be entirely accurate as he also did his fair share of promoting the movie in interviews, but you can tell that he was only chosen as a "name" to sell this crap to the masses anyway.

Although it would be very tempting to blame everything on John Cusack's performance, the truth of the matter is that whoever did the casting is the one who really screwed it all up. The internal logic of the film is actually okay, and there isn't a lot wrong with the script if you like this far-fetched kind of thing. The trouble is that nobody fits their roles apart from the Liverpudlian stage-hand who is the only one who has the right accent for the time.

Another very bad thing is the distinct lack of black cats in the movie. There is an already dead one at the start which is shown being eaten by ravens but nevermore. See what I did there? I really wanted there to be a cat, so I was a little bit annoyed that some bright spark thought it would be clever to replace Poe's famous pet which he carried round on his shoulders with a raccoon! I like raccoons, but it makes absolutely no sense that he would have one other than a nod towards the suspicion that the real Poe's death may have been due to rabies. That myth has nothing to do with ending of this movie anyway.

I could go through all the anachronisms such as the "Serial Killer" headline on the newspaper about a hundred years before anybody even thought of such a term, but I'm sure you can Google them or see them stand out in glaringly obvious ways should you be unlucky enough to watch "The Raven" yourself.

As I said at the beginning, "The Raven" certainly entertained me, but unfortunately, it was for all the wrong reasons.

June 23, 2012

It's Caturday! The Black Cat (2007)



If you've never seen this episode from the "Masters of Horror" TV series, now is your chance to make up for it with Anchor Bay Entertainment's YouTube channel. In case you're wondering, this is a completely free service which they have been providing for almost four years now. There are quite a few good movies on there but, since it's Caturday, it's time to get stuck in to some Edgar Allan Poe.

"The Black Cat, set in 1840 Philadelphia, has the great writer Edgar Allan Poe, struggling with alcoholism, writers block, as well as being out of ideas, short on cash, and tormented by his wife Virginia's black cat that will either destroy his life or inspire him to write one of his most famous stories."


Starring Jeffrey Combs as Edgar Allan Poe, "The Black Cat" is simply the best adaptation of the story to date. Poor Pluto (the cat not the stupid Disney dog) really goes through some horrible things so, if you're at all squeamish, you'd be better off not watching those bits. Keep with it though because there's a twist at the end which makes it all better.

As you may know, I bought a copy of this on DVD from a pawn shop only recently. I don't make a habit of buying crappy movies so you can trust my judgement.

If you want to buy your own DVD, and I highly recommend that you do for all the special features (including an audio commentary, making of documentaries, and even the script), click the picture below.


Happy Caturday!