Showing posts with label sigourney weaver. Show all posts
Showing posts with label sigourney weaver. Show all posts

December 7, 2012

Why I couldn't care less about "Ghostbusters 3"


The only scary bit in "Ghostbusters" (1984) was the librarian scene, so who the Hell cares about another lame comedy-horror movie anyway?

Well, it seems all the horror movie news sites do because they've been reporting the non-event of "Ghostbusters 3" for years even though it's still no nearer to becoming a real project.

The latest thing is the big question of whether Bill Murray will be in "Ghostbusters 3" or not. Having cringed through his cameo in "Zombieland" (2009), I couldn't care less about ever seeing him onscreen again.

It's been years since any of the cast were big enough names to sell a movie, and it's debatable whether they ever were. What have they done since which was worth a damn?

Harold Ramis hasn't done anything worthwhile, and although Annie Potts and Ernie Hudson have both been working consistently, none of the original cast have ever achieved the level of fame and success which "Ghostbusters" gave them for one Summer.

What was the last thing Dan Akroyd did that anyone remembers? For me, it where he was a reflection in the mirror in "Casper" (1995). That was when "Ghostbusters 3" should have been made not 17 or 18 years later!

As for Sigourney Weaver, she was just in "Vamps" (2012), but her career is on the wane now or she wouldn't be doing such tripe for an easy paycheck. What a waste.

"Ghostbusters 3" has the potential to be either another instantly forgettable second sequel or a bad taste in the mouths of those who were the right age to appreciate "Ghostbusters" when it first came out. It's a no-win situation.

If it ever happens, "Ghostbusters 3" will be like "Indiana Jones and the Kingdom of the Crystal Skulls", the second "Star Wars" trilogy, "Rocky Balboa", or any of the other resurrected franchises which should have stayed dead. It will suck!


Ten Reasons Why "Ghostbusters 3" Will Suck!

1. It's been too long since "Ghostbusters 2".

2. "Ghostbusters 2" (1989) also sucked.

3. Bill Murray is unlikely to be in it although the news reports keep changing about whether or not he will be.

4. Rick Moranis definitely won't be in it because he's retired.

5. It's a comedy.

6. It's a comedy for little kids and the parents of little kids.

7. The original audience has long since moved on. It's no longer the '80s and what was amusing back then is embarrassing now.

8. Allegedly, the script has been written by the same people who write the American version of "The Office" which also isn't funny.

9. Nobody in their right mind wants to invest in this.

10. It's a film designed to cash in on the nostalgia of parents and will only ruin fond memories of two movies which weren't that great in the first place.

November 7, 2012

Vamps (2012)



"Two female vampires in modern-day New York City are faced with daunting romantic possibilities."

Given the new format of my blog, I didn't know whether to post this review yesterday for those people who are absolutely terrified of watching romantic comedies meant for middle-aged women or wait until today due to how miserable "Vamps" turned out to be. Obviously, I decided that "Woeful Wednesday" was the best choice.

I should have realised that something was very wrong with a movie that had a very limited theatrical release only a few days before becoming available on DVD and Blu-ray. Call me cynical, but it reeks of the distributor realising beforehand that "Vamps" was going to bomb in the cinemas.

"Vamps" is certainly not in the same league as "Clueless" (1995) in spite of its cast, but it isn't actually that bad if you don't have a sense of humour. I'm lucky that way because I watched it as a straight vampire movie and used it merely as a means to ogle Krysten Ritter. For "normal" people who want something to laugh at other than pop culture references, "Vamps" will probably be a disappointment.


The story itself isn't so much a comedy in the strict sense of the word as it is a semi-tragedy. While there are enough contrived scenes of merriment to appease the casual (and extremely dumb) viewer, the more you think about the macabre existence of the lead vampiresses, Goody (Alicia Silverstone) and Stacy (Krysten Ritter), the worse it becomes.

Like everything Amy Heckerling has written, the dialogue in "Vamps" is clever and witty. Unfortunately, it would be better coming from the mouths of a bunch of desperate, old satchel-asses in a TV series rather than in a movie about vampires. Make up your own mind about which TV series I'm referring to as I'm sure you can think of three or four others off the top of your head.

Unless you are of a certain age, you probably won't understand all the cynical swipes at teenagers, the internet, the "must have gadgets", or the sad message of "Vamps" that eventually you simply have to stop pretending to be young. I get them, and they are kind of depressing especially as I agree with them all. I also despise texters, smartphones, reality television stars, and 99% of the "Sex and the City"-inspired generation that I'm forced to endure daily. Kudos to Amy Heckerling for lampooning today's society even though she's a bit late on the bandwagon this time.


However, as I said, I really only watched "Vamps" to lust over Krysten Ritter. As much as I worship Alicia Silverstone like the crazy goddess she is, a vampiric Audrey Hepburn lookalike really does it for me. Although Alicia is good, Krysten steals the show in every scene they share. I'm not familiar with her work and have never seen her in anything else so presumably she's a known comedy actress. Based on how sexy she looks with fangs, I hope she does some hardcore horror movies in the future.

The other cast members are also culled from the TV comedy genre apart from Dan Stevens who plays Lord Arthur Holmwood in the 2006 TV version of "Dracula" (which I have yet to see), and the once "big name" actors such as Sigourney Weaver and Malcolm McDowell who appear to be slumming it. I can't say that any of them give a bad performance, but it's surprising to see them in something like this.

A precedent for vampire comedies starring actors who should know better goes way back to "The Fearless Vampire Killers" (1967) so "Vamps" isn't entirely out of place among such titles as "Love at First Bite" (1979), "Once Bitten" (1985), "Vampire's Kiss" (1989), "Love Bites" (1993), "Dracula: Dead and Loving It" (1995), and "Vampire in Brooklyn" (1995). I have no idea why anyone would think that vampires and comedy go together as none of these movies really have enough horror to be classed as true horror-comedies. None have enough comedy to be funny either.


"Vamps" does quite well with its plethora of amiable yet slightly odd characters despite them all being inconsistent and woefully underused. In several cases, they aren't much more than extended cameos which is a shame considering the heart that must have been put into creating them. Even in such a throwaway comedy, they deserve better.

Some of the computer effects are horrendous although I have to give credit where it's due for the make-up which is mostly excellent (and also a little bit silly looking on the older "Stem" vampires). Someone did a great job on Sigourney Weaver who doesn't look her age at all. Her Cisserus character is a mixed bag, but it hammers home an excellent jibe at certain TV show cougars.

I wish I had more to say about Alicia Silverstone, but she gets eclipsed by everything else which is going on including a whole world in the background which is more interesting. Basically, Goody isn't ditzy enough or a strong enough character to carry the film on her own. Lovely and talented as she is, Alicia also looks too old for the part. Not that she tries, but she can't get away with being Cher anymore. Lamentably, this is hardly another "Clueless".

With the best lines and scenes already given away in the trailer, I can't recommend that you rush to see "Vamps" if you expect it to contain any more of the same. I'm not saying that it's full of padding because there is more than enough material forced into this to make a decent 92 minute long feature. I just don't think it's put together in the best way possible, and it might have been better as a pilot for a TV series.

April 12, 2011

Alien (1979)



"A mining ship, investigating a suspected SOS, lands on a distant planet. The crew discovers some strange creatures and investigates."

If someone ever told me that they had never seen the original "Alien", not only would I not believe them, but I'd probably laugh at them too. This sci-fi slasher movie has been available in so many formats, shown on TV thousands of times all over the world, and has so much merchandise available for it that, even if you haven't ever watched it, you'd still know exactly what it was all about and who was in it just through hearsay.

When VHS tapes started to get replaced by DVDs, "Alien" was actually the first DVD that I ever bought although I had to return it several times to get one that worked properly. It seems that DVD authoring errors have plagued this movie right up to the famous HMV recall of the "Alien Quadrilogy" box set which is a shame.

I now own three different DVD versions of "Alien" due to changing countries and because I'm greedy. I chose to rewatch the "Director's Cut", and without Googling, I really can't tell you the differences between it and the original theatrical release. Any additions or cuts are either so subtle that I missed them, or I've seen "Alien" so many times that I just wasn't paying enough attention. I think Veronica Cartwright slaps Sigourney Weaver in the "Director's Cut" but not in the original although, as far as I care, it might be the other way around. Whatever version of "Alien" you watch, it's still the same story.

Now I may well be a bit of an expert when it comes to horror movies purely due to the sheer number of them that I've watched over the years, but when it comes to science fiction, I usually couldn't care less about it. Yes, I know that the space ship in "Alien" is called the Nostromo and its crew are made up of some kind of "space truckers", but as for the little technical details about who they are working for or what happened between now and the future that the whole thing is set in, I have no idea. "Alien" is just a horror movie set in space as much as it matters to me. It could be the same scenario on a plane, a boat or set in a cabin in the woods, but it's still a slasher film with a big predatory monster doing all the killing rather than some deranged guy in a mask.

I also know that the alien itself was designed by H.R Giger, and although I'm not consciously familiar with anything else that the Swiss surrealist artist has done, I'd bet a ton of money on the fact that it was probably the best work he ever did. Giger's alien is now such a ridiculously iconic figure that the few glimpses that you actually have of it in "Alien" don't really matter. You know that it's something big and nasty with several sets of teeth and claws which is going to hurt you severely if you are stupid enough to get yourself caught by it.

If "Alien" has any flaws at all as a movie then it's simply the cliché of a group of people who should know better deciding to split up into smaller groups to try and track the monster down and kill it. That scenario had been done to death even before Ridley Scott had the genius idea to set the whole thing in space where "no one can hear you scream".

Of course, only a few years earlier, Steven Spielberg did much the same thing with "Jaws", but whereas his shark put people off going into the water, I've never had any yearning to become an astronaut and go alien hunting anyway. Therein lies a subtle distancing that might put a lot of people who hate science fiction off wanting to watch "Alien" in the first place. Since it's hardly another "Star Wars" or "Star Trek" filled with funny looking people with weird heads, you'd really be missing out on one of the scariest and most adrenaline pumping horror movies of all time if you dismissed this film so easily.

Some of the jump scares which worked for me initially have become almost comical over the years especially John Hurt's famous chestburster scene. It seems that when it was filmed, Veronica Cartwright had no idea what was going to happen and her response is as real as it gets. Personally, I hate spidery things so I was already quite anxious from the previous facehugger stuff, and it made me jump when I first saw it too. I was, however, quite relieved that it was a snaky thing and not another spider.

Here's an autographed picture I have of one of the most memorable moments in film:

I remember, back in the '80s, loads of people buying t-shirts with latex chestbursters hanging out of the front of them as what used to be one of the most frightening movie moments began to lose its impact somewhat. Darlene's choice of Hallowe'en costume from one of the "Roseanne" TV shows sums up exactly how most kids felt about it. Watching the chestburster scene now just has me on titter alert and I actually find the baby alien that pops out to be quite cute. How it shrieks and scuttles off now has quite the opposite effect on me to what was originally intended.

Other notable memories for me were obviously based round Sigourney Weaver's extremely ugly and far too small knickers. Watching "Alien" again as a fully grown adult doesn't really do the same things to me that it did when I was going through puberty. I still don't really like Ripley as a character until "Aliens" but can appreciate Veronica Cartwright in a much more sexual way instead.

But I'm getting ahead of myself. All the claustrophobic stalking and killing is what makes "Alien" special, and it's that which you really want to know about. Well, I'm not going to tell you about it because you just have to see it all for yourself and experience it. If the action scenes don't get your heart beating faster then you've simply been spoiled and burnt out by too many torture porn movies.

"Alien" is over 30 years old now, but I still recommend it as a horror movie that everyone should have in their collection. Try to forget all the sequels (except "Aliens") and wish that all the "AVP" nonsense had never happened because the original "Alien" is still one of the best horror films you will ever see.