The Monkey's Paw (2013)

"Jake is given a monkey's paw that grants three wishes. After the first two wishes leave his friend Cobb undead, Cobb pushes Jake to make a final wish."

Oh great! A generic re-imagining of W.W. Jacobs' classic short story—a more horrific re-imagining of "The Three Wishes" by the Brothers Grimm—which has very little to do with the original other than having a wish-granting monkey's paw in it. If you think you've seen it all before, you probably have, especially as the first movie version of "The Monkey's Paw" was made way back in 1915 and remade more than a dozen times since.

"The Monkey's Paw" has also been used as a theme so many times that it's hard to keep track of. Just off the top of my head, the "Wish You Were Here" segment from "Tales from the Crypt" (1972) is one of the more well known variants, "Deathdream" or "Dead of Night" (1972) puts a Vietnam war spin on things, and even "Buffy the Vampire Slayer" reworked the core of the story into an episode called "Forever". Thus, it's only logical that, sooner or later, someone else would realise that "The Monkey's Paw" contains a certain element which is very popular at the moment, and decided to make another bloody zombie movie out of it!

In fairness, the resurrection of an already decomposing corpse is the scariest part of W.W. Jacob's story, and Stephen King also ran amok with its idea of the dead coming back wrong for "Pet Sematary", but did something which you can read in under 10 minutes really have to be dragged out for another feature length movie?

With the first two wishes granted in less than 25 minutes, this Chiller Films version of "The Monkey's Paw" takes far too long to tell a story which could be wrapped up in 5 more. In fact, around 50 minutes in, Gillespie (Daniel Hugh Kelly), the previous owner of the paw, retells the original story as exposition in a lot less time than that!

"I wish I was still on Harper's Island."

Apart from a ton of padding (including a police investigation which only exists to give Charles S. Dutton from "Halloween H20" a cameo), the plot of "The Monkey's Paw" is mostly "Ugh, I'm a psycho-zombie, look at what you've done to me! Give me my wish or I'll kill everybody you know!" for over an hour, and it soon gets pretty boring. It's one cliché after another, and towards the end, it almost becomes another "Friday the 13th"-style slasher to make sure that the machete kills homage absolutely everything in the horror genre which director Brett Simmons has watched.

The cookie-cutter eyecandy provided by C.J. Thomason from "Harper's Island" (for the girls) and Michelle Pierce from "NCIS" (for the boys) does nothing to redress the balance after turning Stephen Lang (a real actor) into a soulless zombie, but I suppose that's Chiller for you. As usual, there's no nudity or swearing because Chiller are hypocrites and those things are far worse than showing violence. Oh, and they just had to set the story in New Orleans because everybody (including "American Horror Story") is trying to make Louisiana the cool place to be creepy again this year.

While the acting is okay, and the gore effects aren't bad for a sanitised TV movie, there's no "oomph" to this: There are no scares and no chance whatsoever of a memorable punchline. Well, not when you already know exactly what that punchline will be anyway. Watch the 1948 version instead.

American Horror Story: Coven

"A young girl, Zoe, is shattered to discover she possesses a strange genetic affliction tracing back to the dark days of Salem. Zoe is whisked away to Miss Robichaux's Academy for Exceptional Young Ladies, a mysterious school in New Orleans devoted to safeguarding the few remaining descendants who share this unique bloodline. Harboring a secret agenda, Fiona Goode, the most powerful witch of their generation, returns to town, reigniting old rivalries with the Coven's deadly enemies, the Voodoo."

"American Horror Story" is back with a third season! Meh. To be honest, I've been so caught up in horror movie reviews that I'd forgotten it even existed. I rarely watch television anyway if I can possibly help it.

Although I didn't like the second season as much as the first, and I didn't know they'd made another one until it suddenly appeared last night, I felt duty bound to at least watch the first episode and ogle Sarah Paulson. I'll not be watching any more until I can buy the whole thing on DVD because I loathe commercial breaks with every fibre of my being.

If "Coven" isn't enough of a clue for you, the oh-so-witty title of the first episode—"Bitchcraft"—reveals that this season is all about witches. Think of it as "The Craft" meets "Harry Potter" meets "Suspiria" meets "The Skeleton Key" with lots more pop-culture witchcraft references thrown in for nerds on message boards to feel clever about spotting. As it's set in New Orleans, it's probably also going to have a ton of Anne Rice stuff in it which I'm never likely to notice.

The biggest news is that Kathy Bates has joined the ensemble cast as the notorious serial killer Delphine LaLaurie, who is so "notorious" that I had to use Google to find out who she was. Call me ignorant if you like, but I don't know anything about famous American witches other than the place name of the Salem witch trials, and I could count the serial killers I've heard of on the fingers of one hand. Neither is really my thing. Aside from what I've learned from movies, I have about as much interest in witches, serial killers, or American history as I have in sticking an unpeeled orange up my arse.

As far as I can tell from one episode and the trailers, "Coven" looks like it's going to be a taco fiesta, In other words, it's severely lacking in any male characters who aren't disposable. Evan Peters turned up just to be killed off (thank you!), but with the knowledge that Lily Rabe's character can resurrect the dead (even though she was killed off too!), he's bound to return. Be prepared to see your Twitter feed explode with angry trending Tweets from Evan Peters' tweenage fangirls if he doesn't!

Obviously, my least favourite horror clique in the world are already stomping their little feet with glee and squealing about "Girl Power", and that's more than enough to put most horror fans off "Coven". But let them have their moment away from making sandwiches because you can guarantee that very bad things are going to happen to the witches in this show. One of them (played by Emma Roberts) has already been gang-raped by frat boys, another burnt at the stake, and I can easily predict the poetic justice that will end Jessica Lange's career as a "Supreme" witch. I'm thinking it will be the same as the end of Hammer's "She" (1965) but with better effects.

For those who stay with it, "Coven" promises to be another mixture of unpolitically correct dialogue and MA-14 situations which push the limits of what the TV censors normally allow. Based on previous seasons, I highly doubt that there will be any taboo subject which is too distasteful for them to cover, especially as the return of the Down Syndrome girl from the first season and the morbidly obese star of "Precious" (2009) complete this Ryan Murphy/Brad Falchuk freakshow. Hopefully, there'll actually be some horror in it this time too!

"American Horror Story: Coven" will air every Wednesday on FX at 10pm. Check out the official website for further details.

Hell Baby (2013)

"An expectant couple who moves into the most haunted house in New Orleans call upon the services of the Vatican's elite exorcism team to save them from a demonic baby. "

Yeah, I know I said I was going to take a break, but I saw that other people had been writing about this movie and decided to upset myself with another crappy one for my final "Torture Tuesday" until after October.

Although the cheap-looking opening slideshow of random American "houses" in various states of disrepair made me want to switch this off immediately, I stuck with it only to discover that it was a typical American comedy, i.e. full of moronic characters (who wouldn't survive in the real world without the aid of professional carers) doing and saying stupid things.

Thus, while the concept of parodying "Rosemary's Baby", "The Amityville Horror", and "The Exorcist" isn't necessarily a bad one, the execution leaves a lot to be desired, and of course, it's not the first time that any of those movies have been spoofed. There's nothing here that hasn't already been done in the "Scary Movie" series apart from a couple of un-politically correct lines.

In its favour, the awkward scenes between Rob Corddry and Keegan Michael Key are nicely done. Their style is a bit of a half-way house between "Airplane" and "The Office", and there's nothing to complain about if you're a fan of that kind of comedy. I prefer more slapstick and cruelty, so "Hell Baby" was just like watching a '90s-style teen-comedy full of tame running gags and puerile "gross out" humour to me. Having said that, I can't fault it for not being more obscene because it's an American comedy after all and can only be judged as such.

The actresses also do a good job being ditzy. It's a toss up between Leslie Bibb and Riki Lindhome for who steals the show as the hottest, but as the latter isn't padded-up to look pregnant and gets completely naked, I think she has the edge. Further eyecandy is provided in a flashback sequence of sexy Italian nurses played by Brittney Alger, Tara Cullen, and Jessica Loyacono.

I wasn't so enamoured by the priests and cops who are aren't skewered enough for their hypocrisy to really offend anyone. There's one jibe about Catholic priests being gay, but it's barely acknowledged, and it should have gone into much darker areas. The cops are simply idiots whose skits continue the "neurons not quite connecting" style. The only thing I got out of any of their interactions is that I now know what a "Po Boy" sandwich is, and I want one.

There's not much horror in this movie apart from a naked 90-year-old woman, one off-camera murder, four kills in total, and the fight scenes with the demonic baby. The production values are decent enough and the effects aren't too bad, but the finale borrows a lot from "Basket Case" (1982) and Cindy's battle with Mr. Kittles in "Scary Movie 2" (2001).

Given that I don't like horror-comedies anyway, I'm still objectively forced to rate this as below average rather than a complete waste of time. I can see how it would amuse some people, but too many punches are pulled and not enough is made of the horror elements for "Hell Baby" to be worth anything more than a curious rental.

Hatchet III (2013)

"A search and recovery team heads into the haunted swamp to pick up the pieces and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades."

Gore, gore, gore, gore, gore, and even more gore! Yes, "Hatchet III" delivers what everyone has been craving for a very long time!

Three years after the instantly forgettable "Hatchet II", where Adam Green failed, BJ McDonnell's debut as a director breathes new life into a series which most of us had written off. Having said that, this is still Adam Green's baby and, unfortunately, there are places where it shows.

The thing is, you shouldn't be able to go wrong with a slasher film anyway. All you need is a group of people and a monster with supernatural strength to hack them to pieces in the most painful-looking and bloodiest ways possible. Who cares if "Hatchet III" has a thin and formulaic plot? The practical effects are absolutely lush with brutal dismemberments and blood gushing everywhere.

Where the previous "Hatchet" movies went wrong is that they had too much humour and none of it was funny. "Hatchet III" isn't perfect either although the balance is much better this time. It's still meant to be a "fun movie" rather than something to be taken seriously, but at least it is actually fun rather than a chore to sit through.

This is not a SyFy channel movie!

Not to spoil the big surprises for you, but all the usual convention circuit suspects apart from Tony Todd appear again. As Victor Crowley, Kane Hodder proves that he can still do a lot more than sign his autograph, which is nice.

Zach Galligan makes a decent attempt at playing a sheriff, Parry Shen turns up as a paramedic primarily to deliver an anti-racism jibe, and Derek Mears adds the visual in-joke of two former Jasons fighting it out for anyone who cares about remakes. The confrontation between Hodder and Mears could also be taken as "Victor Crowley is better than the new Jason" which, in this case, he really is. In many ways, "Hatchet III" is what the "Friday the 13th" remake should have been.

Even the acting is better this time although I doubt that the target audience of teenagers and "Friday the 13th" nostalgists will notice or care about such subleties. I noticed, particularly in the case of Danielle Harris whose scenes would lag if she wasn't so good in them, and I'm grateful for it.

Now approaching middle-age, Danielle Harris looks really good in this movie too apart from showing her huge, disfiguring tattoos in a hosing-down/shower scene which would be moderately erotic otherwise. At first, I thought she had some terrible wound inflicted on her by Victor Crowley, but then I realised what she'd done and it threw me right out of lust with her. What a shame. I'm sure she'll recover though.

Probably best if you keep your tracksuit on in future, babe.

I'm not going to go into further detail because I know that you'll want to see "Hatchet III" for yourself. I highly recommend that you do so as soon as possible before the usual negativity hits whatever message boards and Facebook pages you're subscribed to. "Hatchet III" is easily this Summer's best horror movie no matter what the "negative Nancies" might have to say about it.

It's taken three attempts, but we finally have a "Hatchet" movie which lives up to the original's tagline of "Old School American Horror". The third time really is the charm.